To the dog that hates karate
To the dog that could outrun the entire dog park
To the dog that loves Diet Coke bottles
To the dog that makes crazy alien noises when she even glimpses a Chuck It
To the dog who chased her ball into the waves
To the dog who loved Chrissy Field
To the dog who loved Fort Funston
To the dog who loved Laguna Beach
To the dog who loves Provincetown
To the sheriff always on patrol
To the dog who comes running every time she hears the popcorn machine
To the dog who loves to eat watermelon
I feel like you wish
that I would rhyme
Like it’s not a poem
if not in time
So does this one count
my little friend?
Give me a head nod
snaps at the end
Nah, just joking you
those paws can’t snap
Don’t worry yourself
lay down and nap.
You’ve known me so long
you sweet old gal
New York from SF
SF from SoCal.
My darling best girl
Just you next time
You’ll move on; I’ll stay
death a sharp line
I love you so much
warm heart cold world
My baby, my old lady,
Look at that girl, fifteen and full of hope
slash anticipation slash anxiety slash bizarre dreams.
Her dreams are always unusual
like she learns it is not normal
to remember multiple dreams throughout the night
she takes pride in her dream recall.
Her mother blames the Stephen King novels
on her antique nightstand the flashlight under covers.
But in September 1995 a different sort of dream,
a boy and an upcoming night a school dance.
Paul Keller a senior to her sophomore, tall and gangly
Aurora, has anyone ever told you that you are beautiful?
You’re right, that’s too cliché
and demeaning to group you with everyday beauty.
Hot damn girl you know how to bring it.
The undulating curves and caresses
the flashes followed by coy addresses
the teasing the tickling the beckoning
you enthrall like no other.
I have never seen anything like you
and I fear that I never will again
but at least I can die tomorrow
knowing that I witnessed the incomparable glory
of the one and only
Welcome to Spring in the Northwest
but like the way north Northwest
Like the where are we on the map Northwest
Alaska, the Last Frontier
the Big Dipper on a navy blue flag
where there are more men than vaginas
“where the odds are good
but the goods are odd”
where you drive past moose crossings
and the Chena River at every turn.
Look in the fruit basket, pushing aside
the uneven orbs of citrus until you find
the dark and malleable egg,
the fruit posing as a vegetable,
bright green enveloped by dark green.
Where do you come from, avocado?
I make nachos, and I think
“Make sure to invite ol’ A to this fiesta”.
I stir fry peppers and green beans
in soy sauce and lemon;
we all know it wouldn’t taste the same
without you, Avocado.
Pasta and panzanella salad?
Bellissimo! Buon appetito!
It just doesn’t make sense, Avocado.
A couple of months ago I joined hundreds of New Yorkers in celebration of Margaret Atwood’s birthday. I sat in the audience, by myself, as Margaret Atwood and Neil Gaiman engaged in witty conversation, running the gamut from books to politics to film to America. Something Ms. Atwood said resounded so poignantly, it moved me. Mr. Gaiman told her that he counted her as one of the few role models he could look up to, for she was a poet, a screenwriter, an inventor, and an author of speculative fiction as well as historical fiction.
When I was younger and I thought about being a writer, I envisioned myself at my desk, with the sun streaming just so through my tall glass of orange juice, and a tree branch occasionally brushing against the window in a melodic fashion. I did not see myself as someone who needed a muse, wanted a muse, relied on a muse to inspire the flow of words. I would be my own muse, gosh darn it!, and I was proud of this plan. When I was younger, I dreamt of writing a novel that would grace the shelf of the local used bookstore, with a little sign proclaiming “Local girl makes it!